Roberto C. Ferrari, “‘Far too black’: Fanny Eaton, Simeon Solomon, and The Mother of Moses”; Kedra Kearis, “‘Her Own Room Will Be a Picture’: Alva Vanderbilt’s Bedroom à la Pompadour at Marble House (1892) by Jules Allard et Fils”; Carina Rech, “A City of One’s Own: The Parisian Letters of the Swedish Painter Hanna Hirsch-Pauli”; Mark Sagona, “From Center to Periphery: International Collaboration in Mid-Nineteenth Century Rome and the Artistic Milieu for a Silver Commission for Malta”; Stefania Corsini, Etta M. Madden, and Caterina Y. Pierre, “Augustus Saint-Gaudens, Antinous, 1874”; Maureen Warren and Virginia Brilliant, “Mary Ann Flaxman, Portrait of Eleanor Anne Porden, ca. 1811”; Kimberly Orcutt and Isabel L. Taube, “Reinstalling Nineteenth-Century American Art in US Museums” . . .