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1. 1 2019-10-19T10:36:11+00:00 NCAW admin cd3b587942c3e2c7cb2b102ada8433ef3c32db5b counting coup NCAW admin 5 numak'aki theme plain 2023-01-08T14:56:47+00:00 NCAW admin cd3b587942c3e2c7cb2b102ada8433ef3c32db5b

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• 1 2019-10-19T10:36:02+00:00 Karl Bodmer, Mató-Tópe, Mandan Chief, 1834. 2 Fig. 14, Karl Bodmer, Mató-Tópe, Mandan Chief, 1834. Watercolor on paper. Joslyn Art Museum, Omaha. Gift of the Enron Art Foundation, 1986.49.383. Artwork in the public domain; image courtesy of Joslyn Art Museum. ronan/JAM_13.dzi plain 2019-10-25T08:39:14+00:00
• 1 2019-10-19T10:36:03+00:00 Karl Bodmer, Mató-Tópe, Mandan Chief, 1834. 2 Fig. 6, Karl Bodmer, Mató-Tópe, Mandan Chief, 1834. Watercolor on paper. Joslyn Art Museum, Omaha. Gift of the Enron Art Foundation, 1986.49.260. Artwork in the public domain; image courtesy of Joslyn Art Museum. ronan/JAM_14.dzi plain 2019-10-25T08:38:53+00:00
• 1 2019-10-19T10:36:03+00:00 Karl Bodmer, Péhriska-Rúhpa, Hidatsa Man, 1834. 2 Karl Bodmer, Péhriska-Rúhpa, Hidatsa Man, 1834. Pencil on paper. Joslyn Art Museum, Omaha. Gift of the Enron Art Foundation, 1986.49.272. Artwork in the public domain; image courtesy of Joslyn Art Museum. ronan/JAM_15.dzi plain 2019-10-20T13:50:02+00:00
• 1 2019-10-19T10:36:02+00:00 Karl Bodmer, Pachtüwa-Chtä, Arikara Man, 1834. 2 Karl Bodmer, Pachtüwa-Chtä, Arikara Man, 1834. Watercolor on paper. Joslyn Art Museum, Omaha. Gift of the Enron Art Foundation, 1986.49.258. Artwork in the public domain; image courtesy of Joslyn Art Museum. ronan/JAM_9.dzi plain 2019-10-20T13:48:03+00:00
• 1 2019-10-19T10:36:05+00:00 Karl Bodmer, Mandan Buffalo Robe, 1833. 2 Karl Bodmer, Mandan Buffalo Robe, 1833. Watercolor on paper. Joslyn Art Museum, Omaha. Gift of the Enron Art Foundation, 1986.49.309. Artwork in the public domain; image courtesy of Joslyn Art Museum. ronan/JAM 17.jpg plain 2019-10-20T13:41:22+00:00
• 1 2019-10-19T10:36:11+00:00 Counting coup marks owned and drawn by Red White Buffalo (Numak'aki) in 1884, explained by Beaver (Numak'aki) and Butterfly (Minitari) and copied by Gilbert L. Wilson in 1909. 1 Fig. 9, Counting coup marks owned and drawn by Red White Buffalo (Numak'aki) in 1884, explained by Beaver (Numak'aki) and Butterfly (Minitari) and copied by Gilbert L. Wilson in 1909. From volume 8 (1909) of the Hidatsa-Mandan Reports, Gilbert L. and Frederick N. Wilson Papers, Minnesota Historical Society, St. Paul. Notes in the public domain; image courtesy of the Minnesota Historical Society and the Division of Anthropology, American Museum of Natural History. ronan/MHS_1_Vol 8_page_132+A.jpg plain 2019-10-19T10:36:11+00:00
• 1 2019-10-19T10:36:15+00:00 Karl Bodmer, Noapéh, Assiniboin Man, 1833. 1 Karl Bodmer, Noapéh, Assiniboin Man, 1833. Watercolor and pencil on paper. Joslyn Art Museum, Omaha. Gift of the Enron Art Foundation, 1986.49.253. Artwork in the public domain; image courtesy of Joslyn Art Museum. ronan/JAM_1.dzi plain 2019-10-19T10:36:15+00:00
• 1 2019-10-19T10:36:15+00:00 Karl Bodmer, Máhchsi-Karéhde, Mandan Man, 1834. 1 Fig. 3, Karl Bodmer, Máhchsi-Karéhde, Mandan Man, 1834. Pencil on paper. Joslyn Art Museum, Omaha. Gift of the Enron Art Foundation, 1986.49.266. Artwork in the public domain; image courtesy of Joslyn Art Museum. ronan/JAM_11.dzi plain 2019-10-19T10:36:15+00:00
• 1 2019-10-19T10:36:15+00:00 Karl Bodmer, Mehkskéhme-Sukáhs, Piegan Blackfeet Chief, 1833. 1 Karl Bodmer, Mehkskéhme-Sukáhs, Piegan Blackfeet Chief, 1833. Watercolor, ink, and pencil on paper. Joslyn Art Museum, Omaha. Gift of the Enron Art Foundation, 1986.49.284. Artwork in the public domain; image courtesy of Joslyn Art Museum. ronan/JAM_05.dzi plain 2019-10-19T10:36:15+00:00
• 1 2019-10-19T10:36:13+00:00 Karl Bodmer, Pitätapiú, Assiniboin Man, 1833. 1 Fig. 8, Karl Bodmer, Pitätapiú, Assiniboin Man, 1833. Watercolor and pencil on paper. Joslyn Art Museum, Omaha. Gift of the Enron Art Foundation, 1986.49.254. Artwork in the public domain; image courtesy of Joslyn Art Museum. ronan/JAM 2.jpg plain 2019-10-19T10:36:13+00:00
• 1 2019-10-19T10:36:12+00:00 Karl Bodmer, Kiäsax, Piegan Blackfeet Man, 1833. 1 Fig. 13, Karl Bodmer, Kiäsax, Piegan Blackfeet Man, 1833. Watercolor on paper. Joslyn Art Museum, Omaha. Gift of the Enron Art Foundation, 1986.49.395. Artwork in the public domain; image courtesy of Joslyn Art Museum. ronan/JAM_6.dzi plain 2019-10-19T10:36:12+00:00
• 1 2019-10-19T10:36:12+00:00 Detail of year 1789–90 from the Boíde (Flame) Oohenonpa Lakota (Two Kettles Lakota) winter count, as copied by Septima V. Koehler, ca. 1900. 1 Fig. 15, Detail of year 1789–90 from the Boíde (Flame) Oohenonpa Lakota (Two Kettles Lakota) winter count, as copied by Septima V. Koehler, ca. 1900. Ink on muslin. National Museum of the American Indian, Smithsonian Institution, Washington (24.4039). Object in the public domain; photo: NMAI Photo Services; image courtesy of the National Museum of the American Indian. ronan/NMAI_detail_24.4039.jpg plain 2019-10-19T10:36:12+00:00
• 1 2019-10-19T10:36:01+00:00 Mató-Tópe, Untitled (Battle with a Cheyenne Chief), 1833. 1 Fig. 5, Mató-Tópe, Untitled (Battle with a Cheyenne Chief), 1833. Watercolor and pencil on paper. Joslyn Art Museum, Omaha. Gift of the Enron Art Foundation, 1986.49.384. Artwork in the public domain; image courtesy of Joslyn Art Museum. ronan/JAM_23.dzi plain 2019-10-19T10:36:01+00:00
• 1 2019-10-19T10:36:08+00:00 Karl Bodmer, Assiniboin Man, 1833. 1 Karl Bodmer, Assiniboin Man, 1833. Watercolor and pencil on paper. Joslyn Art Museum, Omaha. Gift of the Enron Art Foundation, 1986.49.255. Artwork in the public domain; image courtesy of Joslyn Art Museum. ronan/JAM_03.dzi plain 2019-10-19T10:36:08+00:00
• 1 2019-10-19T10:36:06+00:00 Karl Bodmer, Síh-Chidä, Mandan Man, 1833. 1 Fig. 4, Karl Bodmer, Síh-Chidä, Mandan Man, 1833. Watercolor on paper. Joslyn Art Museum, Omaha. Gift of the Enron Art Foundation, 1986.49.267. Artwork in the public domain; image courtesy of Joslyn Art Museum. ronan/JAM_12.dzi plain 2019-10-19T10:36:06+00:00
• 1 2019-10-19T10:36:05+00:00 Mató-Tópe, Untitled (Self-Portrait, Holding Feather-Covered Shield with Pair of Ceremonial Lances Thrust into Ground), 1834. 1 Fig. 7, Mató-Tópe, Untitled (Self-Portrait, Holding Feather-Covered Shield with Pair of Ceremonial Lances Thrust into Ground), 1834. Watercolor and pencil on paper. Joslyn Art Museum, Omaha. Gift of the Enron Art Foundation, 1986.49.384. Artwork in the public domain; image courtesy of Joslyn Art Museum. ronan/JAM 24.jpg plain 2019-10-19T10:36:05+00:00
• 1 2019-10-19T10:36:05+00:00 Mató-Tópe, Bear Claw Necklace, 1833. 1 Fig. 10, Mató-Tópe, Bear claw necklace, 1833. Hide, blue glass beads, red pigment, and bear claws. Linden-Museum, Stuttgart. Object in the public domain; photo: A. Dreyer; image courtesy of Linden-Museum Stuttgart. ronan/LINDEN_36110.dzi plain 2019-10-19T10:36:05+00:00
• 1 2019-10-19T10:36:03+00:00 Mató-Tópe, Seven wooden coup symbol replicas, 1833. 1 Fig. 11, Mató-Tópe, Seven wooden coup symbol replicas, 1833. Carved wood and pigments. Linden-Museum, Stuttgart. Objects in the public domain; photo: A. Dreyer; image courtesy of Linden-Museum Stuttgart. ronan/LINDEN_36076.dzi plain 2019-10-19T10:36:03+00:00