Káma-Kapúska! Making Marks in Indian Country, 1833–34Main MenuScholarly ArticleWied-Neuwied’s Journal PagesA Sample ExhibitionNumak'aki Persons and ThemesProject NarrativeSourcesKristine K. Ronan866e3f0d78e6d37c93d7b8ddc8a882dd7a5e8029
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12019-10-19T10:36:07+00:00NCAW admincd3b587942c3e2c7cb2b102ada8433ef3c32db5b41plain2019-10-19T10:36:07+00:00NCAW admincd3b587942c3e2c7cb2b102ada8433ef3c32db5b See: 13 November 1833
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12019-10-19T10:36:05+00:00NCAW admincd3b587942c3e2c7cb2b102ada8433ef3c32db5bMató-Tópe, Untitled (Self-Portrait, Holding Feather-Covered Shield with Pair of Ceremonial Lances Thrust into Ground), 1834.1Fig. 7, Mató-Tópe, Untitled (Self-Portrait, Holding Feather-Covered Shield with Pair of Ceremonial Lances Thrust into Ground), 1834. Watercolor and pencil on paper. Joslyn Art Museum, Omaha. Gift of the Enron Art Foundation, 1986.49.384. Artwork in the public domain; image courtesy of Joslyn Art Museum.ronan/JAM 24.jpgplain2019-10-19T10:36:05+00:00NCAW admincd3b587942c3e2c7cb2b102ada8433ef3c32db5b