Autumn 2007| Volume 6, Issue 2

Ford Madox Brown's The Body of Harold: Representing England at Mid-Century
by Alastair Ian Wright

What’s in a Name? Artist-Run Exhibition Societies and the Branding of Modern Art in Fin-de-Siècle Europe
by Anna Brzyski

Moritz von Schwind's Cinderella (1852-1854): The Beginning of Fairy Tale Painting and Aspects of Marketing Strategies in Germany's Art Scene
by Regina Freyberger

New Discoveries: The Cabinet of Alessandri and Son at the Paris Universal Exhibition of 1867
by Dominique Morel

Reviews:
Portraits publics, portraits privés
Reviewed by Brooks Beaulieu

A New Light on Tiffany; and Louis Comfort Tiffany and Laurelton Hall
Reviewed by Isabel Taube

Jules Bastien-Lepage (1848-1884)
Reviewed by Leanne Zalewski

René Lalique: Bijoux d'exception, 1890-1912
Reviewed by D.C. Rose

Biedermeier, The Invention of Simplicity
Reviewed by Janet Whitmore

After the Revolution: Antoine-Jean Gros, Painting and Propaganda by David O'Brien
Reviewed by Jennifer Olmsted

Der Moderne Stil / The Modern Style: Jugendstil / Art Nouveau, 1899-1905, Julius Hoffmann, ed.
Reviewed by Astrid Liverman

La Collection La Caze. Chefs-d'oeuvre des peintures des XVII et XVIII siècles du musée du Louvre
Reviewed by Alison McQueen

The Most Arrogant Man in France: Gustave Courbet and the Nineteenth-Century Media Culture by Petra ten-Doesschate Chu
Reviewed by Janis Bergman-Carton

Hot Off the Satirical Presses
by Robert Goldstein

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