Nineteenth-Century Art Worldwide: ncaw sponsors



Supporting NCAW

NCAW Sponsors

The Association of Historians of Nineteenth-Century Art (AHNCA) deeply appreciates the generous support of the following sponsors of Nineteenth-Century Art Worldwide. Their generosity makes it possible for this journal to remain available to all readers free of charge.

Anonymous Donor, United States

The Baltimore Museum of Art

Bard College, Stevenson Library

Cleveland Museum of Art

College of Arts and Sciences, Seton Hall University

Committee on Research in the Humanities and Social Sciences,
Princeton University

Dickinson College Library

Dr. Hans A. Lüthy, Egg, Switzerland

Patrick Derom, Patrick Derom Gallery

Embassy of the Federal Republic of Germany, Cultural Department

The Fine Art Dealers Association
[View a list of FADA Galleries]
FADA members share their expertise through significant exhibitions and informative catalogs, offer quality works of art whose authenticity is unconditionally guaranteed, and enrich the cultural lives of their communities.

Christopher Forbes

Francis V. Gorman Art Library Endowment,
University of Minnesota, Wilson Library

Getty Research Institute

Hammer Galleries

Harvard University, Fine Arts Library

Institute of Fine Arts, New York University

McGill University

The Ryerson and Burnham Libraries, Art Institute of Chicago

Savannah College of Art and Design, Jen Library

Schiller and Bodo, New York, New York

Michael Schwartz, Galerie Michael, Beverly Hills, California

Seton Hall University, University Libraries

University of Denver

University of the South, Sewanee, Tennessee

University of Wyoming, Coe Library

Dr. and Mrs. Gabriel P. Weisberg

Nineteenth-Century Art Worldwide is read and consulted by members of the Association of Historians of Nineteenth-Century Art, as well as users of university and museum libraries, collectors, dealers, auctioneers and many others.

The Editors measure readership, via this site's host server, using only the most conservative counting device—the number of "sessions" conducted each month. In May, 2003, for example, 11,012 sessions were conducted. Although this probably does not translate into 11,012 individual readers, it could easily mean more than 6,000 readers—a remarkable achievement for any publication in the field of art history.

Because NCAW's readership will grow most steadily if access remains free to all, the Editors and the AHNCA Board have decided not to implement a subscription fee with password protection of the site. This means that fundraising for the journal—from individuals, foundations, organizations and businesses—must generate the income needed to produce the journal.

For this reason, we invite all readers to make a fully tax-deductible contribution of any size. Donation details can be obtained by emailing the Treasurer, Yvonne Weisberg at vooni1942[at]aol.com.

Thank you.